Bibliography
List - Books and magazines UK and EEC also Video, Film and Internet
sites.
DACS and ALCS Reference List
Books
2010
- 2020
The Enemies
of Art / the Stuckists,
Victoria Press London. ISBN 978- 0-907165-31-6 [2 images] Soho
Bicycles, painting, p 89. Bank protest, photograph
2008 p106.
2000 - 2010
2010 ‘This Could Happen to You: Ikon in the 1970s’ (Ikon
Gallery, 2010) ISBN 978-1-904864-64-6 The Object Series ,
1974-5 (3 photographs) 2 on p84, 1 on p85
2010 ‘An Antidote to the Ghastly Turner
Prize’ (Victoria Press, 2010) Phantasy
1, 2001 Ink on paper. p20
Female Phantasy , 2010. Oil on board. p21 (artist
interview p20)
2009 'International Stuckism' Prague, [1 image]
Votre Person, Monsieur President, 2008. photograph.
p72
2008 'Arbeit* 'published by Galerie im Taxipalais. Innsbruck
ISBN 3-86588-154-8 [21 images] The Marxist’s Wife (still does
the housework), 2008/1978 p91 (work & artist written about p.90)
2008 'No Such Thing As Society, Photography in Britain 1967-87' from the British
Council and the Arts Council Collection, Professor David Alan
Mellor, Published by Hayward Publishing. ISBN
978-1-85332-265-5 [4 images] Domestic Warfare, 1979.
Photograph.
2007 'Alexis Hunter Radical Feminism the
1970s', edited by Lynda Morris, published by The Norwich School
of Art and Design, texts by Lucy R Lippard and John Roberts. ISBN
1-872482-82-1 [ 7 images on cover +173 images] front
cover Object Series (twin towers image); inside cover Approach
to Fear VII: Pain - Solace; pp4-6 Sexual Rapport Series,
1972-76; pp8-13 Tattoo Series, 1973-4; pp15-19 The Object
Series, 1974-5; pp21-23 The Model’s Revenge, 1974;
pp25 Sexual Warfare, 1975, Romantic Love and Sexual
Hatred Series, pp27 Approach to Fear VII: Pain - Solace,
1975; pp29-33 Approach to Fear I: Violence - identify with
aggressor, 1976; pp35-39 Approach to Fear III: Taboo -
Demystify, 1976; pp41-43 Approach to Fear VIII: Contamination
- contaminate, 1976; p45 Approach to Fear VI: Violence
- destruction of evidence, 1976; pp47-48 Approach to Fear
II: Change - decisive action, 1977; pp50-51 Approach to
Fear XVII Masculinisation of Society - exorcise, 1977; pp53-55
Approach to Fear XI: Effeminacy - productive action, 1977;
pp57-59 Approach to Fear VII: Pain - Solace, 1977; pp61-65
Approach to Fear XIII: Pain - destruction of cause, 1977;
pp66-68 Approach to Fear XIX: Voyeurism - exposure, 1978;
pp70 -79 Dialogue with a Rapist, 1978; pp81-83 To Silent
Women (alone we failed), 1981; pp85-89 Gender Confusion:
Incubus/Succubus, 1978; pp91-93 To Make: Lover, Mother,
Artist, Sister (Objectification of a Stranger), 1979; p95
The Spider Tattoo, 1981; pp97-99 The Marxist’s Wife
(still does the housework); inside back cover Taboo - demystify,
1976; Back cover Identity Crisis
2007 Paradoxa vol. 19 ISSN 14610434
[10 images ALCS] Dialogue with a Rapist, 1978
2006 'Livre Unique Francais 2de', Terres
Litteraires, sous la direction de Xavier
Damas, publisher Hatier, France.
IBSN, [1 image] The Goddess. Painting
2005 'Camera Austria' September
2004/5 DACS Reports and Accounts
Studio shot.
2004 DACS Twentieth Anniversary ISBN
0-9548158-0-7 Binary Code Crocodile, oil on computer circuitboard,
p80
2003 The Dictionary of Feminist Theory
, Second Edition, Maggie Humm, Edinburgh University Press ISBN 0 7486 1908
9, [1 image cover.] Front cover Considering Theory, 1982. Painting.
2003 'Artist's Book Yearbook 2003 - 2005',
Edited by Sarah Bodman, UWE Bristol,
ISBN 0 9536076 9 0, [1 image pg 21] Full of Sweet Dissolution,
The Drinkers Series drawings, 2002. p21(written
about p20)
2003 Cork, Richard, 'Everything seemed Possible,
Art in the 1970's'. ISBN: 0 300 09508 2 2003 [
2 images] Identity Crisis, 2 images, introversive
& neighbour, p171 (Hunter written
about pp.171-172)
2003 'New Hall Art Collection 3rd Edition'
Edited by Patricia Acres. Published by New Hall Cambridge University. ISBN: 0 950 7108
4 9. [2 images]
2003 Mulholland, Neil, '(Art of the
1970')s' ISBN: 0 746 0392 X [2 images].
Approach to Fear. Photographic
series/painting
2002 Doy, Gen, 'Drapery:
Classicism and Barbarism in Visual Culture' IB Tauris, 2000 London ISBN 1-86064 5380 [2 images] Approach
to Fear, Voyeurism
2002 Left Shift: radical Art in 1970s Britain, John A.
Walker (IB Tauris) ISBN 1860647669
p193, p226, p242
2000 Hunter, Alexis, 'Live in Your Head: Concept and Experiment
in Britain 1965 – 1975', Whitechapel Gallery, London, U.K.
ISBN: 0854 88 1220. [3 images.] (ALCS)
Sexual Warfare, 1974. Photo sequence
2000 Hunter, Alexis, 'Live in Your Head: Concept and Experiment
in Britain 1965 – 1975', Museum Do Chiado, National Museum
of Modern Art of Portugal. ISBN: 972 776 083 X. [3 images]. (ALCS)
Sexual Warfare, 1974. Photo sequence
2000 'World Festival of Work on Paper' Kranj,
Slovenica. ISBN: -- [1 image.
] Soho Cat II, 2000. Drawing, ink on paper
1990-1999
1999 Um Kunstlicht,
Photography in the 20th Century , Donnesberg, Kunsthaus, Zurich, Switzerland. [I image] photosequence
1999 Roberts, John The Impossible Document:
Photography and Conceptual Art in Britain 1966 - 1976,
Cameraworks, London E2 0QN, ISBN 1 871103 10 X [1 image].
(ALCS) Sexual Warfare, 1975. p127.
(Interview with Alexis pp.128-133)
1997 'From The interior' editor: Fran Lloyd
Published by Kingston University Press ISBN: 1 899999 04 3. [6
images] (ALCS) Co-dependence 2, painting;
p53 Evolution series, 1996. Painting; p63 and 64
Approach to Fear Masculinisation of Society - exorcise,
1977; p64 Considering Theory, 1982; p66 Siamese Separation,
1985-6
Hunter, Alexis, The Pleasure of Creativity 1996,
'Women's Art in New Hall', Published: New Hall, 2nd additions
ISBN: 0-9507108 2 2. Considering
Theory, 1982. Acrylic painting (private collection
USA)
1995 Humm,Maggie 'The Dictionary of Feminist theory' (Cover)
ISBN 0-13-355389-2. [Cover image] Considering
Theory, 1982. Acrylic painting (private collection
USA)
1994 '2nd Sharjah Biennale',
British Representative, United Arab Emirates. font-family:"Gill
Sans"'> [1 image]. Borrder Abu Dabi,
painting sequence, 1995
1993 Wolff, Janet, 'Critical Quarterly' Strathclyde
University, Glasgow.
ISBN: NA.[ Cover image]
1992
King, Catherine, 'The Politics of Representation: a Democracy of the Gaze' 'Imagining
Women, Cultural Representation and Gender' The Open University,
Polity Press U.K. ISBN-07.456.09740. [1 image]
p237 Struggle between Ambition and Desire, 1983.
Painting
1992 Women’s Art at New Hall, ISBN 0950710822 Approach
to Fear XI: Effeminacy - Productive Action
1992, 'Illustrations for Maria Socokis'
Poem, 'New Departures, The Grandchildren of Albion' Ed Michael Horovitz.
ISBN: 0 902689 14 2.[ 2 images, page
304 and 305] Pig Drawings, ink 199-
1991
Chadwick, Whitney, 'A Postmodern Postscript' 'Women Art and
Society' World of Art series,Thames and Hudson ISBN- 0.500.202441.9 pp350.[ 1 image]
1990 Biting
Back: Symbolic Animals by Ken Kiff and
Alexis Hunter. p7 Camden Town (Mask), painting; p9 King’s
Cross, painting; p10 Artist and Her Muse, painting;
p11 Siamese Separation, painting.
1980-1989
1989 Saunders, Gill, 'The Nude: A New Perspective' London. Published: The Herbert
Press Ltd. ISBN: 1-871569-06-0 [1 image] The Sound of the Moon,
1982. Painting sequence (coll. Sargent
Gallery, NZ)
1989 Osborne, Peter, 'Aesthetic Autonomy and the Crisis
of Theory' 'New Formations 'No9 ISBN - 0.415.037468.
1988 'Women Artists Diary ', London. Published
by: The Women's Press. ISBN: 9 780704 340770. [1 image]
Ink Drawing, 1968; Goddess, 1987. Monoprint
1988 Hunter, Alexis, 'Mark Making' '68'78'88: From Women's
Liberation to Feminism', Ed Amanda Sebestyen, Great Britain. Pub: Prism Press. ISBN: 1 85327
022 9. [2 images] (ALCS)
1987 'Framing Feminism', 'Art and the Women's Movement 1970-1985'.
Edited: Rozsika Parker and Griselda Pollock. ISBN: 0- 86358-179-X.[
4 images] (ALCS)
1987 Ed Robinson, Hilary 'Alexis Hunter interviewed by Caroline
Osborne' in 'Visibly Female 'London
pp 26-71. ISBN: NA, [3 images] (ALCS)
1987 Nairne, Sandy, 'Sexuality, Image and identity,
State of the Art: Ideas and Images in the 1980s' London
pp137-141. ISBN: 0 7011 3086 5. [6 images] 4 images of To Silent Women, photo sequence, 1981
Unilever, UK); Passionate Instincts, 1983. Oil
painting; Siamese Separation, 1985. Oil
painting.
1987 Festival Internationale de la Peinture, chateau - musee de
cagner sur-mer France, The Expostmate,
oil painting (private collection, NZ)
1986-7 London Fields Artists, 9LA, 8P.
SPACE (no ISBN) The Country of the Heart, pastel drawing,
1986
1986 Spalding,
Frances, 'British Art since 1900' London, pp228-229. ISBN:
0 500 23457 4. [1 image] Approach to Fear XIII: Pain - Destruction
of Cause, 1977
1986 'Hand
Signals', Ikon Gallery, Birmingham and Travelling. ISBN:0
907594 03 4. [1 image] (ALCS) Responsive/Oppressive, 1978
(detail)
1986 'The Golden Thread?
Classical Mythology in Contemporary Art', Harris Museum and Art Gallery, Preston and Milton Keynes Exhibition Gallery.
[1 image]
1985 'The Camden Group', Ed. Alyson Hunter, Falcon
Gallery, London. [1 image] no ISBN. Image by Alyson
Hunter (polynesia series, painting destroyed)
1985 Pollock, Griselda and Parker, Rozsika
'Framing Feminism: Art and the Women's Movement 1970-1985' London. ISBN: 0- 86358-179-X. [3 images] The
Marxists Wife still does The Housework 1978 Photosequence
detail, Pg 43, To Silent Women 1981 Photosequence detail
Pg 49, Pgs 5, 19, 41, 47, 74, 100, 157, 169, 173, 177-8, 234,
247, 309, 322-5.
1985 'Scratching and Biting Savagery' in 'Women's
Images of Men' Ed Sarah Kent and J. Morreau
London p46. ISBN: 0 86316081 6. [2 images] p6 photo: Solace
II from Pain: Destruction of Cause, 1977; p6 painting:
Considering Theory, oil on canvas, 1982
1984 'The State of the Art', ISBN: 0 7011
3086 5.[ 5 images] (ALCS) Approach
to Fear XIII Pain: Destruction of Cause, 1977. Photosequence;
The Struggle Between Ambition
and Desire, 1983. Oil painting
1984 'The State of the Art', Institute of Contemporary
Arts, London. ISBN: 0 7011 3087 3. [5 images] (ALCS) Approach
to Fear XIII Pain: Destruction of Cause, 1977. Photosequence;
The Struggle Between Ambition
and Desire, 1983. Oil painting
1984 Caroline Osborne 'Alexis Hunter Interviewed' 'Feminist
Review, Cultural Politics' No18 pp93-101. ISBN:
NA. [5 images] (ALCS)
1983 Webb, Peter 'Erotic Art' pp. ISBN:
NA [1 image]
1982 Beatson, Alexandra 'New
Painting in Britain' in 'The International Trans-Avantgarde',
Ed Achille Bonito Oliva, Milan pp192-201.
ISBN: NA [1 image]
1982 'Photo
(Graphic) Vision', The Winchester
Gallery. [1 image] pp10-11 Cat Tease,
1977/81. Xerox sequence, 6 images. 1982 Hunter, Alexis,
'Sense and Sensibility in Feminist Art Practice', The
Midland Group, Nottingham. ISBN: 0-906519-11-X.[
Cover image and 1 image]. (ALCS) Pleasure
and Theory, 1982. Drawing.
To Silent Women, detail 19-. Photosequence 1981
Summer
Show 1981- Serpentine Gallery. Pub: Arts Council of Great
Britain. ISBN: 0 7287 0290 8. 1 portrait and [13 images] The
Spider Tattoo, xerox sequence, and
one image of To Make, xerox sequence
(Dark Secrets, 1981)
1981
Alexis Hunter / Photographic narrative Sequences, Lippard,
Lucy, 'Hands On'. Richards, Margaret, Essay. Published Edward
Totah Gallery ISBN 0-907773 001. [373 images] (ALCS) Front and
back cover hand spilling wine over title page; p5 Object
paintings, 1974 (installation shot); p6 Approach to Fear
XVI: Urban Frustration-Meditation, 1977; p8 photos: Heart
Attack, 1976 and sketch; p9 Perception in Crisis, 1976.
Colour xerox; p10 Tattooed Woman, street snapshots 1973-4;
p11 Identity Crisis, 1974; p12 Approach to Fear XIV:
Urban Sophistication - Aggression, 1977; p15 Approach to
Fear I: Violence - Identify with Aggressor, 1976; p16 Approach
to Fear VI: Violence - Destruction of Evidence, 1976; p17
Approach to Fear: Pain - Medication, 1976; p18 Approach
to Fear: Taboo - Demystify, 1976 (SNGMA); p19 Approach
to Fear XIX: Voyeurism - Exposure, 1978; p20 Approach to
Fear VII: Pain - Solace, 1977; p21 Approach to Fear XIII:
Pain - Destruction of Cause, 1977; p22 Approach to Fear
XVII Masculinisation of Society - Exorcise, 1977; p23 Approach
to Fear XI: Effeminacy - Productive Action, 1977; p25 War
and Nature, 1978 (Arts Council); p26 War and Nature,
1979; p27 Dialogue with a Rapist, p28 For every Witch,
1979 (The Zurich Museum); p29 A Positive Ritual/Death Unto
Life, 1978-80; p30 A Secretary Discovers the World,
1978; p31 The Marxist’s Wife (still does the housework),
1978; p32 and 33 A Young Polynesian Considers Cultural Imperialism
Before Going to the Disco, 1980. Colour xerox;
p35 Responsive/Oppressive, 1978; p36 Domestic Warfare,
The Wedding Anniversary NW1, 1979 (detail); p37 Domestic
Warfare, 1980 (photograph printed of a slide, drawn then xeroxed);
p38 Gender Confusion Incubus/Succubus II, 1978. Drawing;
p40 Nina Fixes Her Car, 1980 (drawn on); p41 Cat Tease,
1977/81 (painted on); p43 Soho Square, 1978/81 (painted
on), p44 The Spider Tattoo, 1981; p45 The Objectification
of a Stranger, 1980. Xerox; p46 To Silent
1981
'Issue, Social Strategies by Women Artists', Institute
of Contemporary Arts, London. ISBN: 0 905263 09x.[26
images] The Marxist's Wife (still does the housework) 1978,
Photosequence A Young Polynesian considers cultural imperialism
before she goes to the disco 1980 Photosequence (ALCS) Date?
'Photography: Social and Sensual' in 'Fotografie
als Kunst,
Kunst als
pp187-201. ISBN [2 images]
1970-1979
1979
'JP2', Exhibition-Palais des Beaux Arts de Bruxelles,
Brussels.[3 images] A Secretary Discovers
the World, 1978. Colour xerox sequence
1978 Hunter, Alexis, 'Three Perspectives on Photography',
Hayward Gallery, London.Pub: Arts Council
of Great Britain. ISBN: 0 7287 0195 2. [ 8 images] We blame
You For Every Witch That Has Ever Been Burnt 1978, Photosequence.
Domestic warfare 1979 drawing. Domestic Warfare 1979, Photosequence
detail
1978 'Hayward
Annual 78', Hayward Gallery, London. f ISBN: 0 7287 0178 2.[46
images] Approach to fear XIII: Pain - destruction of cause
1977 detail, Photosequence. Approach to fear VI: Violence -
destruction of evidence 1976, Photosequence. Approach to
fear VII: Pain-solace 1977, Photosequence.
1977 'Arts for Society', Whitechapel
Gallery, London and Belfast.
1977 'Whitechapel Open', Whitechapel Gallery,
London.
1975, Hunter, Alexis.'Space Open Studios', London
[6 images] (ALCS)
1975 'British Realists', Ikon Gallery, Birmingham.